Fire-Wired Blog

11 months ago Tiny Explosions produced Family Tree as part of filmracing.com 's 100 Hour Film Race, and after it's "festival run" here it is! Following the production and release of Red Flag , Hogan and I felt the sting to keep going . Not wait another year to make a short as we had been doing as of late. I love the 48 Hour Film Project as it allows all your collaborators to lock off a weekend, write-shoot-produce a short, and then see it on the big screen a couple weeks later. The 100 Hour Film Race is similar except you get double the time and it screens at the Film Racing home base in Atlanta, so the team didn't get a chance to see it on the big screen. And of course due to the pandemic, we never did.  So instead of just saying "Hey, we made that" and let it hit the internet –KER-SPLAT– I entered it in a bunch of Iowa film festivals. It was programmed in a handful, won an award in one, and even had an in-person screening at the Des Moines Undergr

 Here it is, Tiny Explosions best (?) film yet, El Engaño! Made as part of the pandemic version of the Des Moines 48 Hour Film Project 2020, I am really proud of this film . It's the best shot film we've made, it is paced really well, there's no over-the-top acting, no gross out humor, it is a stand alone story not a sketch, it has actual visual effects (an explosion...), And oh yeah, it won the award for best editing. Plus I was told it was the runner up audience award for our screening group, always cool. It was nice to win an award that I felt the film was worthy of , and truth be told, this online release is an even better edit on all accounts. To repeat my annual refrain, these awards are almost always mystifying and quasi-meaningless outside of winning it all. And once again there are some head scratchers in the final awards. One difference this year is 48HFP shared their scoring criteria: Artistic Merit 45%, Technical Merit 30%, and Adherence to the Assignment 25% .